For those looking for a fresh take on the murder mystery fiction genre, you can do no wrong picking up Australian author Benjamin Stevenson’s Everyone On This Train Is A Suspect. The second book in the Ernest Cunningham series finds murder mystery writer Ernest Cunningham invited to attend a mystery writer’s festival taking place entirely during a long haul train ride across the Austrailian desert. The odd man out among more established murder mystery authors, Ernest is faced with pressure from needing to follow up his one (and only) successful whodunit novel. That story just so happened to be more of a recounting of events of a murder he stumbled upon (the subject of Ernest Cunningham book #1 – Everyone In My Family Has Killed Someone). His publisher suggests the cure for his writers block is attending the event, but without the advantage of real life event to spark his penmanship, he finds himself thinking how much easier it would be if tragedy struck the train. What are the odds it happens again…
Stevenson blends the fictional world of Ernest with the practical aspects of how to write a successful and gripping murder mystery. Frequently referencing S. S. Van Dine’s Twenty Rules for Writing Detective Stories (first published in 1928), Stevenson offers a playful recounting of the events of the 50th anniversary Australian Mystery Writers Festival. Included in the fictionalized memoir are the rules for mystery fiction including nothing supernatural, murderer must be a major enough character to impact the plot, etc. A clever and refreshing take on the genre, Everyone On This Train Is A Suspect will be hard to put down for both seasoned veteran mystery readers and neophytes alike. You need not start at the first book in the series and can read this as a standalone, though there are reference to the prior novel. Love, forensics, logic, and storytelling are all a part of Ernest’s world. The question is not whether you should pick it up, but rather can you solve the mystery before Ernest does?